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Allaboutjazz introduces the album with the following sentence „Ulrich Drechsler asks and answers the question: how can the saddest music in the world be delivered with so much hope?“ [...]

Bergens Tidende

Credit to Drechsler for creating a sincere and honest album. The pure and simple melodies shine through without nonsense. There’s also lots of good interplay and elegant soloing from [...]

Vårt Land

Elegant and quiet chamber jazz. Drechsler has switched from saxophone to bass clarinet, and this shapes the soundscape. Drawing beautiful melodic lines with such a rough instrument brings about a [...]

Nettavisen

Drechlser and Gustavsen are musical twin souls… An hour of extraordinarily delightful melodic jazz of very high quality. Drechsler has a remarkably beautiful bass clarinet sound. Tor [...]

Tønsberg Blad

What a sound! What moods! … an utterly wonderful record. Tord Gustavsen is known as one of our country’s major jazz pianists. Here, he lends his services to the extraordinarily talented [...]

Bergens Tidende

Credit to Drechsler for creating a sincere and honest album. The pure and simple melodies shine through without nonsense. There’s also lots of good interplay and elegant soloing from [...]

AllaboutJazz

Humans & Places follows Drechsler’s loving tribute to Thelonious Monk on the 2004 disc The Monk In All Of Us, where his bass clarinet conjured the spirit of Eric Dolphy. On this quartet [...]

Der Standard

„Viele Leute fragen mich zurzeit, ob das das Ende des Café Drechsler ist. Natürlich nicht! Das Café Drechsler ist nach wie vor meine Cashcow.“ Man geht wohl nicht fehl in der Annahme, [...]

Skug

Nachdem er zuletzt bei der No-Jazz-Impro- und im weiteren Re-Jazz-Soultruppe Café Drechsler als Namensgeber und Saxophonist fungiert hatte, bringt Ulrich Drechsler nun sein eigenes Musikkonzept [...]

Lichtspiele | 17

Das Debüt-Album von Ulrich Drechsler besteht fast ausschließlich aus Eigenkompositionen und stellt mit links alles bislang von ihm gehörte ins Nachbardorf. Der perfekte Soundtrack für den [...]

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